An exhibition of rare, archival 1:1 Cartier replica watches is in town

Swiss made replica Cartier has a long had an interesting relationship with time. As a jeweller first and foremost, its approach to the art and science of timekeeping is guided by design in the pursuit of originality, emotion and beauty. Its most iconic fake watches online are, nearly without fail, layered with stories and lore, at times authentic and apocryphal.

The exceptionally famous 1:1 replica Crash de Cartier for example—created in 1967 in the house’s London branch under the watch of Jean-Jacques Cartier—has a murky and almost mythic origin. Some say it was inspired by an oval Baignoire Allongée of a client’s that had melted in a car crash. Others say that it takes clear inspiration from Salvador Dalí’s melting clocks. And though the London branch only created about a dozen of perfect fake Cartier Crash watches at the time (it was deemed a little too avant-garde), its legend has since made it one of the most desirable collectibles for Cartier connoisseurs.

A bit of mythology is always healthy, but what’s truly delicious is getting to see these artefacts of history up close. The opportunity has now come, as Swiss movement replica Cartier is launching an exhibition of rare archival timepieces in Singapore. Dubbed “A Journey Through Time”, it’s designed as an immersive exploration of the house’s illustrious history of creating copy watches. It’s conceptually based around a series of 12 short films directed by Sølve Sundsbø and starring Jake Gyllenhaal that recasts hours of the day as evocative, emotional ideas. Rather than merely mundane hours, they’re imagined as times to dream, to focus, to take risks, to play, to doubt and to wait.

The exhibition itself is being staged at Le Salon Cartier in Ion Orchard, accessed through a secret entrance on the third floor. There are 23 unique timepieces from the luxury replica Cartier Collection, the brand’s in-house archives that have been built up since the 1970s, that have been taken out of safekeeping from its locations in Paris, London and New York. Expect to see historical pieces—the earliest is a gold Tonneau from 1911 outfitted with a LeCoultre movement, and the most recent a zig-zag shaped Tank Folle from 2012 that’s one of only 200 pieces in the world. Two pieces are exceptionally rare: a high quality fake Tank Louis Cartier from 1925; and a Cheich from 1983, one of maybe only five publicly known and recorded models of its type.

The curation also raises some lovely idiosyncrasies that layer on the complexity and richness of aaa quality replica Cartier’s heritage. The diagonally shifted Tank Asymétrique that we know today is present in the form of a vintage 1996 model in platinum, as is a predecessor from 1963 from the London archives which is actually named the Oblique—apparently, the difference in naming was meant to appeal to English clients. A 1973 model from London with an oval gold case, exceedingly alike a Baignoire, also goes by a different name: the Bulbous copy wristwatch.

There is, on the whole, a wonderful look at the style and creativity of the house when it comes to shaped replica watches for sale. The house has also come up with activities that link all this history to the present, with smartphone photography masterclasses hosted within the exhibition space. No better time, if you will, to take a picture.

AAA Quality Fake Cartier Crash Diamonds (1990s to present)

Throughout the 1990s and into the early 2000s, perfect replica Cartier introduced diamond-set versions in the same 38.5mm by 22.5mm dimensions, beginning with yellow gold. The watch featured three rows of pavé set diamonds and a beaded crown set with a brilliant-cut diamond.

This was later followed by 50-piece white gold limited edition that was launched for yet another re-opening of 13 rue de la Paix in 2005. In between, diamond luxury fake Cartier Crashes were produced as a special order in small quantities in all three colours of gold as well as platinum.

It is worth noting that best 1:1 replica Cartier presented an alternative interpretation of a distorted Maxi Oval in 2009 with the Baignoire S. It bore a resemblance to the original aaa quality fake Cartier Crash but had an elongated S shape with numerals that were even more dramatically skewed. Its dimensions were also bolder at 48 mm by 22 mm, providing the stage its design needed.

In 2013, Swiss movement fake Cartier unveiled the first Crash on a metal bracelet in both pink and white gold, each limited to 267 pieces. Additionally, there were diamond bracelet variations in both metals, with each of these limited to just 67 pieces.

To date, the diamond-set Crash watches have emerged 52 times at auction. Interestingly, within the realm of diamond-set Crash watches, value is determined more by objective attributes than by their production year, diverging from the valuation dynamics observed across the sans-diamonds versions. While the idea of a gendered watch is increasingly antiquated, the Crash Diamonds, due to its dimensions and presence of diamonds, is quite squarely a ladies’ watch. As such, the trend might suggest that female buyers have a different and arguably more practical set of priorities when it comes to Crash collecting.

Diamond-set white and yellow gold examples from the 1990s to the early 2000s reached a pinnacle of US$192,635 at Christie’s in May 2022 but it has since experienced a substantial dip, going for US$105,119 at Christie’s in November, notably falling behind the 2013 bracelet version, which fetched US$153,928 the same month.

Meanwhile, the absence of platinum examples is noteworthy. Examples featuring pink diamonds are extremely rare, having surfaced only twice at auction – once at Christie’s in 2015, and more recently at Sotheby’s in October, fetching a price of US$137,839.

Prigigallo asserts, “Today, apart from the metal bracelet version, all diamond Crash watches, including special and colourful editions, exhibit modest performance. Nevertheless, they maintain a lower-than-average unsold rate, indicating a level of appreciation among collectors.”