A homage to the Tank Must de Cartier dials of the ’70s, perfect fake Cartier presented two distinct mosaic patterns that offered quite striking and groovy aesthetics, which have a sort of glamorous disco flair. The yellow gold model above (right) utilizes a squared-tiling pattern for its mosaic motif, with white gold, yellow gold, and rose gold, in that order, sort of exploding into one another and creating a gradient of sorts evenly. The rose gold luxury fake Cartier (left), has a brick-layered look that heavily emphasises the yellow and rose gold hues with accents of white gold.
I strongly believe that the 1:1 replica Must de Cartier era, while a seemingly failed experiment at the time, should continue to be revived – or refreshed rather. Perhaps not 1:1 recreations, but with people now favouring some of these vintage designs I think it would be wise to continue to leverage their foundations into new designs for the current market.
Throughout the 1990s and into the early 2000s, perfect replica Cartier introduced diamond-set versions in the same 38.5mm by 22.5mm dimensions, beginning with yellow gold. The watch featured three rows of pavé set diamonds and a beaded crown set with a brilliant-cut diamond.
This was later followed by 50-piece white gold limited edition that was launched for yet another re-opening of 13 rue de la Paix in 2005. In between, diamond luxury fake Cartier Crasheswere produced as a special order in small quantities in all three colours of gold as well as platinum.
It is worth noting that best 1:1 replica Cartier presented an alternative interpretation of a distorted Maxi Oval in 2009 with the Baignoire S. It bore a resemblance to the original aaa quality fake Cartier Crash but had an elongated S shape with numerals that were even more dramatically skewed. Its dimensions were also bolder at 48 mm by 22 mm, providing the stage its design needed.
In 2013, Swiss movement fake Cartier unveiled the first Crash on a metal bracelet in both pink and white gold, each limited to 267 pieces. Additionally, there were diamond bracelet variations in both metals, with each of these limited to just 67 pieces.
To date, the diamond-set Crash watches have emerged 52 times at auction. Interestingly, within the realm of diamond-set Crash watches, value is determined more by objective attributes than by their production year, diverging from the valuation dynamics observed across the sans-diamonds versions. While the idea of a gendered watch is increasingly antiquated, the Crash Diamonds, due to its dimensions and presence of diamonds, is quite squarely a ladies’ watch. As such, the trend might suggest that female buyers have a different and arguably more practical set of priorities when it comes to Crash collecting.
Diamond-set white and yellow gold examples from the 1990s to the early 2000s reached a pinnacle of US$192,635 at Christie’s in May 2022 but it has since experienced a substantial dip, going for US$105,119 at Christie’s in November, notably falling behind the 2013 bracelet version, which fetched US$153,928 the same month.
Meanwhile, the absence of platinum examples is noteworthy. Examples featuring pink diamonds are extremely rare, having surfaced only twice at auction – once at Christie’s in 2015, and more recently at Sotheby’s in October, fetching a price of US$137,839.
Prigigallo asserts, “Today, apart from the metal bracelet version, all diamond Crash watches, including special and colourful editions, exhibit modest performance. Nevertheless, they maintain a lower-than-average unsold rate, indicating a level of appreciation among collectors.”
Last week, perfect fake Cartier unveiled a brief but ambitious new exhibit in Miami’s Design District. The timing was spot on—just close enough to Art Basel to feel like an opening event, but thankfully not so close as to embroil guests in the endless traffic mayhem that usually goes with it.
Running until December 22, Time Unlimited traces the luxury maison’s extraordinary journey as a watchmaker, taking things all the way back to the introduction of arguably the first purpose-made wristwatch, the 1:1 replica Santos de Cartier back in 1905. As a design-led house, Cartier’s stock in trade is creating sleek paeans to the gods of luxury. A copy Cartier watch must first be beautiful; function comes a very close second. But it is there, too.
Like many of the world’s best luxuries, the original cheap fake Cartier Santos wasn’t merely a thing of beauty. Created in an edition of one for legendary eccentric and aviation pioneer Alberto Santo Dumont, the watch answered a very specific need: namely to give aaa quality replica Cartier Santos Dumont the ability to track time without having to ferret perilously in a waistcoat pocket when his hands were better employed at the controls of his aircraft.
Time Unlimited traces that duality of elegance and convenience throughout the intervening 120-odd years. The exhibit features the original Tank Normale and the Tank Louis Cartier—still pillars of the house ethos—of course. But it also serves as a reminder that Swiss movement replica Cartier’s long history of creating iconic dress watches did not end with Art Deco.
Contemporary pieces like the Ballon Bleu sit alongside limited-edition examples of the Baignoire, the Panthère, and the Pasha. There are also much rarer designs that take the conversation somewhere else, like the high quality fake Cartier Crash, which emerged, (figuratively speaking at least), in 1967, from the wreckage of a motor smash in London. Also ripe for reimagining (hint hint) is the Jumbo Cristallor from the early 1970s. Pictured in the lead image of this post, the elongated octagon in gold is (like much of top super clone Cartier’s collectible back catalog) commanding skyrocketing prices in its original versions.
Complementing all of this, thanks to best quality replica Cartier’s penchant for sleek audio-visual experiences, are films made with some if its modern ambassadors including Jake Gyllenhaal and presentations with a very French sense of humor—the genesis of the brand’s unique watchmaking history.
